Stingray released in the U.S. a new and improved Stingray Music mobile app with more than 2,000 Vibes channels and enhanced features. The mobile app is available free to everyone with access to Stingray Music through their TV provider.

Stingray is proud to offer classical music, opera, and ballet aficionados a new way to experience the music that moves them: Stingray Brava! Following the July 2015 acquisition of Brava, Stingray has rolled out refreshed and contemporary new looks for the channel, which have been rebranded as Stingray Brava.

Following the July 2015 acquisition of DJAZZ.tv, Stingray has rolled out refreshed and contemporary new looks for the channel, which have been rebranded as Stingray DJAZZ.

We were joined by Robert & John, the composer and librettist of Ours. This opera was a part of the Opera America World Opera Conference. They tell us about the Battle of Beaumont-Hamel, how it changed Newfoundland forever and how they tried not to glorify the art of war while still showcasing beautiful music.

We got to sit down with Laura Kaminsky, Mark Campbell and Kimberly Reed, the composer and librettists of As One, an operatic work presented during the OPERA America annual conference. We discuss how real life translates into their work, the transgender conversation, and how a good wine can bring out the best in your writing.

We sat down with John Harris, composer of the opera M'Dea Undone that was showcased during the OPERA America annual conference. John tells us about his electronic influences and writing dark, dissonant music. He also delves into how his work covers taboo topics that people often shy away from.

We sat down with Ricky Gordon and William Hoffman at the OPERA America annual conference. These two remarkable men, librettist and composer respectively, created the opera Morning Star, which was featured at the conference. We discovered where they draw inspiration from, their thoughts on different music styles, and what it's like seeing your life on stage. 

In the way he’s accepted his Nobel Prize for literature, by seemingly not acknowledging it for so long that one of the awards committees called him “rude” and “arrogant,” Bob Dylan was being himself.

We had the honor of sitting down with Tim Brady at the 2016 OPERA American annual conference, the premier gathering of opera professionals in North America. Brady is the composer of 6 Revolutions, a bilingual opera that was showcased during the event and is inspired by the events of the October Crisis that occurred in 1970 in Montreal, Canada. Brady talks about the mystical way he fell in love with opera in Mantua, Italy, and how he loves to get songs stuck in people's heads. 

Only a few weeks before the news broke about his death, Leonard Cohen was the subject of a piece in The New Yorker, which detailed the ailments that had kept him off the road the past couple of years.